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Scope NYC 2013 PRESS Wrap-Up
“The Headless Horse That Rocked Scope” - Huffington Post
“I was especially impressed by the work of Justin Orvis Steimer who was hard at work on his ongoing pieces (he uses the energy of the space he is at to influence his pieces).” - Douglas F Maxwell
“As you approach Scope, you get the sense that it is going to be a good show. There is a headless, blinged-out horse rotating on a platform at the entrance to the venue. Despite the metal spikes jutting out from its side, its statuesque, bejeweled elegance makes you glad you decided to attend and eagerly anticipate the offerings inside.” - Arts Observer
Thoughts from Tiffany Jin: It’s hard to miss a life-size rotating horse, especially one that is adorned in acrylic rhinestones and sitting on a mirrored base. Andrea Stanislav’s Vanishing Points garnered much attention from the crowds of iphone-equipped people, anxious to add a filter and upload this sparkly creature to instagram. This paparazzi treatment continued inside to Tinca Art’s “Rock & Roll” themed booth, with glitter text work, an over-scaled fox, and live-painting to further satisfy the viewer. It is important to note that though the works by Stanislav, Gail Stoicheff and Justin Orvis Steimer have that immediate, almost eye candy appeal – there is much more within and behind them than glitter, beasts and denim.
Because much of our culture is programmed to see only on a superficial level, Stanislav interrogates such issues through the use of unexpected, repulsive materials like glitter and rhinestones. Will the viewer turn away in disgust, or will (s)he ask Why the bling? The answer lies in our relationship with beauty and value, that thin line between utopia and dystopia is what Stanislav walks. Once free to question, we move deeper into the exhibit and ask again, Why is Stoicheff – with her pure abstract painting background – now finding her way to these foxes and isolated body parts? Why is Steimer choosing to paint his denim canvas live at Scope? For artists’ intent, read here.
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